Multidisciplinary artist Juana Valdés melds ceramics, printmaking, and sculpture to explore Afro-Latinx diaspora.

Intro
Juana Valdés has been an exhibiting artist for over thirty years. She received a BFA from Parsons School of Design (1991), an MFA from the School of Visual Arts (1993), and she is an alumnus of the Skowhegan School of Painting and Sculpture (1995). Her research-based practice combines printmaking, photography, video, sculpture, and ceramics to explore race, gender, and class in the transnational Afro-Latinx diaspora and colonial networks of trade and labor.
Embark on a journey through the expressive world of Juana Valdés, an artist whose roots run deep into the heart of Cuba, branching out to embrace a rich tapestry of Afro-Caribbean heritage. Juana's artistry transcends mediums, employing printmaking, photography, sculpture, and ceramics to weave a narrative that defies borders and time.
Each piece is a testament to her journey, reflecting the intimate interplay between personal memory and collective history. Her work—deeply entrenched in issues of race, transnationalism, gender, and class—serves not merely as a mirror to society, but as a window into a realm where every color, texture, and shape tells a story.
Dive into Juana's multifaceted universe, where art resonates with life, and every creation is a dialogue between the artist's soul and the world's shared humanity.
Artist Statement
Juana Valdés multimedia and research-based practice explores race, gender, and class within global networks of trade and labor in the Afro-Latinx diaspora. At the intersection of conceptual art, speculative nonfiction, and social practice, Valdés employs a variety of strategies to question post-colonial and contemporary representations of “the other”. Working across media, her body of work encompasses installation, performance, sculpture, ceramics, printmaking, photography, and video.
Through the excavation of discarded histories and a reevaluation of the imagined past to explore African ancestral inheritance, Valdés sheds light on racial and ethnic stereotypes, their colonial origins, and their lasting impact on cultural memory. By centering BIPOC voices in relation to cultural artifacts, Valdés situates the social-political discourse within material culture.
Valdés’s work elicits migration and exile as a complex process that shapes diasporic identity and transnational experience, while also reimagining representation for BIPOC communities in the Americas.