A comprehensive account of remarkable artwork and accomplishments by over 250 contemporary women recipients of the Anonymous Was A Woman award.

A visual journey of Caribbean art profiling more than 60 contemporary Caribbean artists, curated by award winning multidisciplinary artist and textile surface designer, Malene Barnett​.

Intervenxions is The Latinx Project’s digital publication. This year’s issue features 12 stories along the themes of ephemera, truth, and flight.

Arlene Dávila

A fully illustrated catalogue accompanying the exhibition, which includes essay contributions by Alicia Ory DeNicola, Risa Puleo, and Namita Gupta Wiggers.

Tatiana Flores, Michelle Ann Stephens

Irene Hofmann (Introduction), Candice Hopkins (Introduction), RocÌo Aranda-Alvarado (Contributor), Kathleen Ash-Milby (Contributor), Pip Day (Contributor).

Courtney J Martin (Editor), Mary Schmidt Campbell (Introduction), Christopher Bedford (Contributor), Joost Bosland (Contributor)

This article examines how Juana Valdes installations continue, not only a conversation on race, gender, and politics, but also concern themselves with aging and cultural memory.

Curated by Kate Bonansinga and Vincent Burke, The Stanlee and Gerald Rubin Center for the Visual Arts

Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson (eds.)